(Thank God.) Cowritten by show creator Adam Reed and Ben Hoffman, it’s just 20 pure minutes of jokes. There’s nothing particularly dramatic or profound about Archer’s elevator-set bottle episode. “Mornings” is Master of None at its most compelling-but, as I learned the hard way, maybe don’t watch this right after a breakup. It’s a snapshot of love and dating and heartbreak with all its idiosyncrasies how so much of a relationship is the little things you do together each morning, rather than the moments worthy of a Hallmark card. Following Ansari’s Dev and Noel Wells’s Rachel after they move into his apartment, “Mornings” charts the couple’s highs and lows over many months and seasons-from spicing up their sex life to petty arguments about not leaving clothes on the floor. The first season’s penultimate installment, “Mornings,” ought to come with a warning for anyone who’s just gotten out of a long relationship. You never quite know what you’re going to get from Master of None, including its poignant spin on the bottle episode.
BEST SEINFELD EPISODES PER SEASON TV
With so many TV creators these days touting their projects as elongated movies, the two seasons of Master of None are refreshing in their commitment to stand-alone episodes-some of which even push Aziz Ansari to the sideline. What could be better than that? - Megan Schuster 18. It’s got everything you want in a bottle episode, with the added bonus of Sterling K. This episode is hilarious (at one point, Jake’s angry voice is compared to “being yelled at by a children’s cereal mascot”) and illuminating (Holt and Peralta’s relationship deepens), and when the duo finally get their confession, it’s thrilling. Enter 22 minutes of Smart Cop–Dumb Cop, insults to Peralta’s intelligence, and interrogation techniques that range from asking Philip to repeat the victim’s name over and over again to, well, whatever this is: The only problem is they have no physical evidence tying Philip to the crime, so they need a confession. In Season 5 of Brooklyn Nine-Nine, Samberg’s Jake Peralta and Braugher’s captain Raymond Holt are tasked with interrogating Philip Davidson (Brown), a successful dentist who police believe murdered his business partner and dumped the body in the woods. Brown, and Andre Braugher walk into a room and don’t come out for an entire night? Comedy gold, it turns out. What happens when Andy Samberg, Sterling K.
“Ice” took a tense, claustrophobic cue from The Thing and its antecedents, and the basic setup of an isolated setting and mysterious assailants inspired subsequent episodes of the series. The key is the collaboration between the two leads, who have to team up to take out the parasite but can’t entirely trust each other because either could be carrying an extraterrestrial stowaway.
BEST SEINFELD EPISODES PER SEASON SKIN
The culprit, of course, is an alien parasite, brought to disturbing life via CGI and wires embedded beneath fake skin to simulate the creature making its wormy, murderous way to the brain.
The suspenseful stand-alone episode sent Mulder, Scully, a trio of scientific specialists, and an unsuspecting pilot to an outpost in Alaska whose occupants had killed each other (or themselves) shortly after retrieving ancient ice core samples from a meteor crater. “Ice” was a failure from a budget-saving standpoint-although it was intended to cut costs, it had the opposite effect-but a precedent-setting success in terms of storytelling and tone. (Just one note before we begin: The following ranking was limited to one episode per show.) 20. Teddy Perkins.īut there can be only one best bottle episode. You now know these results by simple names: The Suitcase. Because while trimming down an ensemble and keeping them contained to a single location sounds like a challenge, those restrictions can often result in moments of genius. Once a way for network shows to up their episode counts without spending a ton of money, the bottle episode is now a way for shows to distill their meaning, focus on their most important characters, and flex their creative muscles. įor all that’s said about TV’s unparalleled ability to tell stories that span time and space and large swaths of characters, sometimes the medium’s greatest trick is going small. As we approach the 10th anniversary of Mad Men ’s “The Suitcase” on Saturday, join us in celebrating the highs and lows of one of television’s greatest exercises/flexes/budget-saving tricks: the bottle episode.
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